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Steel Reserve / Ignis fatuus, Hinkypunk, Sharkfins and Ambergris

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Steel Reserve / Ignis fatuus, Hinkypunk, Sharkfins and Ambergris

Cass McCombs – hailed as ā€œone of the greatest lyricists of our timeā€ by The FADER – and his longtime collaborator and Interior Live Oak co-producer Chris Cohen have announced a new collaborative 7ā€, being released jointly by Hardly Art and Domino Records.

The release features two new tracks: ā€œSteel Reserveā€ and ā€œIgnis Fatuus, Hinkypunk, Sharkfins and Ambergris.ā€ The songs spotlight the artists’ distinct yet deeply intertwined creative chemistry, forged over nearly two decades of collaboration.

ā€œChris composed the music and I did the words,ā€ says McCombs. ā€œOur longtime friend and mutual collaborator Trevor Shimizu drew the artwork. Chris has weaved throughout my music over the years — he played guitar on my first LP, A, as well as on ā€˜County Line', he co-produced Interior Live Oak, and he is a remarkable musician and songwriter. Both songs are somewhat cracked meditations on dignity. ā€˜Steel Reserve’ explores the bushes, hidden away. Public life has nothing to offer dignity. ā€˜Ignis Fatuus’ is a pirate’s treasure collected from an Earth stained with blood and madness — stolen from W.B. Yeats.ā€

Cohen adds, ā€œCass and I go back to early 2000s Bay Area. I’ve always thought he was an amazing songwriter so I was very happy when he sent me lyrics. I took it as a dare, as the words were tricky and the forms unusual ones for songs, but I followed them exactly as they were. The music is my reaction to the words as I understood them. Also Cass is a killer guitar player so I had him come in and put some classical guitar on top of ā€˜Steel Reserve’. We both harmonize and trade verses on ā€˜Ignis Fatuus’ so it is our first proper duet.ā€

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Cass McCombs – hailed as ā€œone of the greatest lyricists of our timeā€ by The FADER – and his longtime collaborator and Interior Live Oak co-producer Chris Cohen have announced a new collaborative 7ā€, being released jointly by Hardly Art and Domino Records.

The release features two new tracks: ā€œSteel Reserveā€ and ā€œIgnis Fatuus, Hinkypunk, Sharkfins and Ambergris.ā€ The songs spotlight the artists’ distinct yet deeply intertwined creative chemistry, forged over nearly two decades of collaboration.

ā€œChris composed the music and I did the words,ā€ says McCombs. ā€œOur longtime friend and mutual collaborator Trevor Shimizu drew the artwork. Chris has weaved throughout my music over the years — he played guitar on my first LP, A, as well as on ā€˜County Line', he co-produced Interior Live Oak, and he is a remarkable musician and songwriter. Both songs are somewhat cracked meditations on dignity. ā€˜Steel Reserve’ explores the bushes, hidden away. Public life has nothing to offer dignity. ā€˜Ignis Fatuus’ is a pirate’s treasure collected from an Earth stained with blood and madness — stolen from W.B. Yeats.ā€

Cohen adds, ā€œCass and I go back to early 2000s Bay Area. I’ve always thought he was an amazing songwriter so I was very happy when he sent me lyrics. I took it as a dare, as the words were tricky and the forms unusual ones for songs, but I followed them exactly as they were. The music is my reaction to the words as I understood them. Also Cass is a killer guitar player so I had him come in and put some classical guitar on top of ā€˜Steel Reserve’. We both harmonize and trade verses on ā€˜Ignis Fatuus’ so it is our first proper duet.ā€