
My Life
Grammy-winning music producer and author Ian Brennan (Tinariwen, Zomba Prison Project, Ramblinâ Jack Elliott) grew up in the Bay Area with his older sister, Jane, who has Down syndrome. Just prior to the COVID outbreak, he returned home to visit Janeâs weekday program, where dozens of adults with varying cognitive and ambulatory abilities occupy their weekday hours at a sheltered workshop.Â
At the workshop, a diverse group of over twenty individuals participated in the musical project that birthed this single. Participants ranged in age from early-twenties to sixties (with the life expectancy of their population still stubbornly flatlining at a mere sixty-years-old). Over half were women. Many were also consigned to wheelchairs or utilized crutches, canes, and braces to walk. None had sung into a microphone before or held a stringed instrument.
The recordings were set up in a narrow, plasterboard-walled room with throbbing Technicolor lights and a disco ball, a place designed to have a paradoxically calming effect on some of the residents.
Brennan believes that there are few more expressive singers than those that are non-verbal. Possessing a limited vocabulary dams up feelings, particularly when what few words are belaboredly uttered are not understood due to a speech impediment. In Brennanâs words:Â âWhether traveling to more remote places like South Sudan or Cambodia or exploring voices close to home, our goal is not to find the âexotic,â but to de-exoticize and find the emotional common ground throughout the world.â
Possibly Brennanâs most personal work ever, the recordings were made with the involvement of his and Janeâs father, who was in the final stages of his battle with cancer, and who sadly passed just two months later.
Jazz great Bill Frisell (13-time DownBeat Magazine "Guitarist of the Year" winner) guests on âMy Life,â adding an elegiac and gentle layer to vocalist Graceâs intricate melodies and epic emotional investment. Brennan states, âFrisell is such an empathic musician. I canât think of a more perfect fit for the Sheltered Workshop Singers.â
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Grammy-winning music producer and author Ian Brennan (Tinariwen, Zomba Prison Project, Ramblinâ Jack Elliott) grew up in the Bay Area with his older sister, Jane, who has Down syndrome. Just prior to the COVID outbreak, he returned home to visit Janeâs weekday program, where dozens of adults with varying cognitive and ambulatory abilities occupy their weekday hours at a sheltered workshop.Â
At the workshop, a diverse group of over twenty individuals participated in the musical project that birthed this single. Participants ranged in age from early-twenties to sixties (with the life expectancy of their population still stubbornly flatlining at a mere sixty-years-old). Over half were women. Many were also consigned to wheelchairs or utilized crutches, canes, and braces to walk. None had sung into a microphone before or held a stringed instrument.
The recordings were set up in a narrow, plasterboard-walled room with throbbing Technicolor lights and a disco ball, a place designed to have a paradoxically calming effect on some of the residents.
Brennan believes that there are few more expressive singers than those that are non-verbal. Possessing a limited vocabulary dams up feelings, particularly when what few words are belaboredly uttered are not understood due to a speech impediment. In Brennanâs words:Â âWhether traveling to more remote places like South Sudan or Cambodia or exploring voices close to home, our goal is not to find the âexotic,â but to de-exoticize and find the emotional common ground throughout the world.â
Possibly Brennanâs most personal work ever, the recordings were made with the involvement of his and Janeâs father, who was in the final stages of his battle with cancer, and who sadly passed just two months later.
Jazz great Bill Frisell (13-time DownBeat Magazine "Guitarist of the Year" winner) guests on âMy Life,â adding an elegiac and gentle layer to vocalist Graceâs intricate melodies and epic emotional investment. Brennan states, âFrisell is such an empathic musician. I canât think of a more perfect fit for the Sheltered Workshop Singers.â













